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my pieces were performed by:
Ensemble Scope
Ensemble Cairn
Kwartludium Ensemble
Syntax Ensemble
Nostri Temporis Ensemble
trans-for-matha ensemble
spółdzielnia muzyczna
ensemble kompopolex
ensemble proton
ESBJERG ENSEMBLE
list of works
MUSIC FOR
for bass clarinet, bassoon, violin, cello and electronics

Vnutrishn'o translated from Ukrainian means internal - it is the subjective experience of the self, which is distinct from the objective world around us, a fundamental aspect of reality that exists independently of our subjective experience

20. Juni 2023 - Dampfzentrale Bern

Ensemble Proton Bern
Klarinette - Richard Haynes
Fagott - Arlette Probst
Computer/Mixing - Coco Schwarz
Violine - Maximilan Haft
Violoncello - Jan-Filip Ťupa

Video and Ton - Joël Cormier
Grafik - Studio Flux
vnutrishn"o
for bass flute, bass clarinet, baritone saxophone, percussion, piano and electronics

"Solastalgia is experienced when the endemic sense of place is violated."
"It attacks the sense of place, manifests in the erosion of the sense of belonging to a specific place (identification with it), and the suffering (feeling of melancholy) due to its transformation."
Glenn Albrecht, philosopher

When you don't feel well at home
When your home will never be the same again

SOLASTALGIA
Spółdzielnia Muzyczna Contemporary Ensemble:
Małgorzata Mikulska - bass flute
Tomasz Sowa - bass clarinet
Krzysztof Guńka - baritone saxophone
Aleksander Wnuk percussion
Martyna Zakrzewska piano

„Festiwal Prawykonań”( Festival of Premiers) at the NOSPR (National Polish Radio Symphony Orchestra).
12th March 2023 Katowice (Poland)

Audio: Polish Radio
Video: Matuesz Różański

Kwartludium Ensemble
Dagna Sadkowska - violin
Piotr Nowicki - piano

Warsaw Autumn - September 2022
recorded by Musicon.pl
Vydykh
for violin, piano and electronics

Vydukh in Ukrainian language means "Exhale". This is the state I would like to feel after the war. But now we all live on the state of inhale. And inside there is already so much air and tension that each time when we grab more, it becomes more and more painful. There is no exhalation. It does not exist yet. Until the war is over. And even then, we will not be able to exhale completely, because of the memory that we will carry forever.
for bass flute, bass clarinet, percussion, e-guitar, cello, dbass, electronics, dancer and light

By blending ancient and modern elements, traditional and technological aspects, we can forge new expressions and deepen our understanding of ourselves and the world. Duality, the interplay of opposing forces or ideas, is fundamental.
Butoh dance delves into the human psyche and body, transcending language and rational thought. It connects us with something primal. Technology, in contrast, extends our control over the world, allowing us to interact innovatively.
Despite seeming incompatible, Butoh and technology create a potent synthesis. Butoh embodies raw emotion, physicality, and the present moment, while technology emphasizes rationality, abstraction, and data manipulation. Together, they surpass individual limitations.

_-'
Live performance, Kunstverein Freiburg, 18.11.22 as part of GL;TCH


Ensemble s c o p e
Ria Rehfuss - performance
Rebecca Blau - flutes
Carlos Cordeiro - clarinets
Robert Menczel - e-guitar
Paul Ebert - percussion
James Morley - cello
Anna Stelzner - doublebass
Friederike Scheunchen - musical direction

Victor Haberkorn - Lichtdesign
Cornelius Reitmayr - Kostüm und Bühnenbild
OMSLO: Lukas Nowok + Lucia Kilger - Klangregie

Manuel Gerlach + Merlin Blumenschein - Videorecording
Yana Tolopilo - Montage
for bass flute, bass clarinet, piano, cello, and electronics


Written specialy for the 10th International Young Composers Academy in Tchaikovsky-city 2020.


Performed by MCME / MACM Ensemble
Ivan Bushuev (bass flute)
Oleg Tantsov (bass clarinet)
Yulia Migunova (cello)
Mikhail Dubov (piano)

Seamy Side
for cello and electronics

cello
Michael Moser
Taxidermia
SOUNDs ARROUND 2019
Mucor
for flute, oboe, clarinet, cello and double bass

Ensemble Nostri Temporis:
Natalia Kozhushko-Maksymiv, flute
Maksym Kolomiiets, oboe
Dmytro Pashynskyi, clarinet
Viktor Rekalo, cello
Naraz Stets, double bass

Vincent Kozlovsky, conductor
FINAL CONCERT OF VI COURSE
Poznan Spring 2019
Ergot
for alto flute, cor anglais, bass clarinet, viola, cello

Ensemble Nostri Temporis:
alto flute - Igor Iermak
cor anglais - Maxim Kolomiiets
bass clarinet - Artem Shestovskiy
viola - Anna Pankina
cello - Viktor Rekalo
for horn, trombone, piano and percussion

conductor - Katarina Gryvul
horn - Pawel Nasuta
trombone - Piotr Borkowski
piano - Maria Ksiazkiewicz
percussion -Dominik Zielonka
Metarhizium
Krakow Music Academy 2019
a day that could have existed - piece for field recording of Krakow, strings, percussion, electronic and video which was represented as a final project on Gaude Polonia ( Scholarship Programme organized by the Polish Ministry of Culture and National Heritage), realized at Studio of Electroacoustic Music at the Academy of Music in Krakow in 2018.


Two cities, two different stories. Kraków – Warsaw, Lviv – Donetsk. You never know what could be happened. You never know.
a day that could have existed
Closing Concert of VII COURSE as part of “NIGHT OF CONTRASTS” - a special event of 24. INTERNATIONAL FESTIVAL OF CONTEMPORARY MUSIC "CONTRASTS"
Moldy
for clarinet, violin, cello, dbass and piano

Ensemble Nostri Temporis:
conductor-maksym kolomiets
clarinet-Artem Shestovskiy
violin-Andrii Pavlov
cello- Zoltan Almasi
dbass-Nazar Stets
piano-Maria Alexandrova
KCMD 2018
Inside the mirror
for violin and cello


violin - Kyryl Bondar
cello - Zhanna Marchinskaya
KCMD 2018
How to? (personal approach)
for tenor saxophone and electronics

tenor saxophone - Roman Fotuima
mixing - Mehmet Can Özer

COURSE - 2019 _ Final Concert
Denaturatus
for solo oboe and electronic

oboe - Maxim Kolomiiets

4
for solo flute

Flute - Zoia Hodan